Strip mall sushi restaurants are hit or miss. Sometimes,
you’re better off just hitting up the fro-yo place next door, but other times,
like my recent visit to Imperial Koi in Greensboro, you’re in for a grand
surprise. Located in a nearly vacant complex above Pieworks (a childhood
favorite), Imperial Koi’s inconspicuous home doesn’t quite lure you in. The
front door is on the second floor and behind the building, but once you arrive
at (find) the entrance, the water fountain and garden provide a relaxing, Zen atmosphere.
Inside, neon lighting welcomes you to a vivid world of sushi and other Asian
flavors.
Kirin Ichiban and
Ravenswood Zinfandel were tasty sips while my dining partner and I perused the
menu. Much reading is always required at a sushi restaurant; this was no
exception. Ample descriptions of elegant yet funky rolls – one I spotted
included fried banana! – filled the pages. My dining partner opted for a special
roll – always a wise choice, as chefs put a lot of time and preparation into making
them extra “special.” Spicy crab, shrimp tempura and cucumber fill a rice roll,
topped with eel and avocado, among drizzles of eel sauce. A beautiful purple
flower adorned the plate, and I was tempted to put it in my hair, but decided
I’d save my guest the embarrassment. (Looking at this photo now, the eel sauce creepily
makes this look too much like a spider. I don’t like spiders.)
Though sushi is truly hard to beat, I opted for the Day Boat
Seared Scallops. Plump, grilled scallops lay atop a luscious spinach and
mushroom risotto, surrounded by what the menu described as “vanilla butternut
silk,” - a perfect description. The subtle vanilla flavor enhanced the slight
char of the scallops, and the nuttiness took the vegetable risotto to another
level. And the silky description is on point. This is a really unique dish; I’ve
never experienced anything like it.
At the end of your meal, hot, damp towels are brought to the
table. Classy. I could have easily fallen asleep at the table with that draped
over my face. You’re also given plastic chopsticks, so you don’t embarrass yourself
if you don’t know how to break them properly. Little touches like this up the “swank
factor” in a restaurant. Thai dishes, as well as a large selection of Sashimi are
offered – I really don’t think you could go wrong with anything you ordered. Greensboro
is definitely hiding a gem in Imperial Koi, and it’s definitely worth the
confusing parking lot.
Starring: Charlize Theron, Kristen Stewart, Chris Hemsworth,
Bob Hoskins
Director: Rupert Sanders
Running Time: 2 hours, 7 minutes
Rating: PG-13
Photo courtesy of Greg Williams/Disney; US Weekly
I’m really digging Hollywood’s idea of live-action remakes
of classic animated Disney movies. Just last week, a photo of Angelina Jolie as
Maleficent from “Sleeping Beauty” surfaced from the highly anticipated remake, and
it tells the story from the antagonist’s point of view. Similarly, “Snow White and the Huntsman” reveals a much darker evil queen, and blurs the lines of
reality and (science) fiction. (Side note - I’m glad I chose to spend two hours
watching “Snow White and the Huntsman” as opposed to the silly “Mirror Mirror.”
Sorry, Julia Roberts. Armie Hammer would have been the only highlight of that
movie.)
Photo courtesy of Allstar/Universal; The Guardian
The setting is ambiguous; both the time period and location are
unclear, but we seem to be in some sort of fantasy world, a la Tim Burton's "Alice in Wonderland."Second only to “Monster,” Charlize Theron is in the role of
her life as the gorgeous, wicked Ravenna, stepmother to Snow White, and ruler
of the kingdom. This performance deserves nominations of all sorts. Her
portrayal of Ravenna made the movie successful, and it dragged when she was not
on-screen. And props to the costumer – I would love to rock any one of Ravenna’s
smashing outfits.
While there were moments of the awkward Bella from “Twilight,”
Kristen Stewart perfectly fit the profile as the fair, yet strong-willed Snow
White.The grime underneath Stewart's fingernails was a necessary detail, as she practically became Bear Grylls to escape being Ravenna's prisoner.
Sam Spruell portrays Ravenna’s creepy brother (with a chatch
haircut) and it’s obvious that he’s both bewitched by and terrified of his
sister’s power. In one scene, he hears her asking the “Mirror, Mirror on the
wall” the most famous question of them all. Ravenna clearly sees the mirror
come to life and speak the answer, but her brother just sees her talking to
herself. It’s obvious that this is all in her mind, and that she is seriously
disturbed.
Photo courtesy of Splash News/Universal; OK Magazine
The only subtle humor comes from Chris Hemsworth as the
drunk (and jacked) Huntsman, but there is very little of this comedic relief.
Hired by Ravenna to capture Snow White from the deep, dark forest, he soon
realizes he should help SW escape her doomed fate. For those of you wondering
about the dwarfs – they make an appearance, though in the middle of the film
when the plot begins to drag. And they all seemed to be named “Grumpy.” Bob
Hoskins (Mr. Smee, anyone?) is the head dwarf and is practically unrecognizable.
There’s definitely an underlying theme in this modern fairy
tale: women don’t need a man to be successful. Ravenna’s desire for power resulted
from being “thrown out like a scrap” by a man. By being in control, she doesn’t
have to worry about a man walking all over her. I get it, but she is relentless
in her rise to the top. Similarly, the end leaves you wondering about Snow
White’s romantic future. Though Chris Hemsworth’s bod would be enough to seal
mine.
Starring: Tom
Cruise, Julianne Hough, Catherine Zeta-Jones, Alec Baldwin
Director: Adam Shankman
Running Time: 2 hours, 3 minutes
Rating: PG-13
“Rock of Ages” is everything you’d expect it to be - perfectly cheesy, high energy and
full of good jams. I’ll try to equate my review of the film to singing
terminology: while most of the movie was pitch-perfect, some aspects definitely
strained the vocal cords. After seeing the awesome tour at the Blumenthal, I
knew going into the film that it would be a fun 2-hour escape back to the 80s.
More than anything, I was eager to see Tom Cruise’s hyped up return to the big
screen.
For those of
you non-musical theatre junkies, “Rock of Ages” originated on Broadway, and
tells the story of young, fresh-faced, naïve Sherrie and her quest for fame,
and more importantly love, in 1987 Los Angeles. We’re taken back to a world
which few of us experienced, and it’s hard to resist singing along to every
great song from the decade, and some you even forgot about (“Heaven” by Warrant, anyone?) Julianne Hough plays Sherrie with ease, and if I’m being
blunt, she’s smoking hot (way to go Ryan Seacrest.) After meeting Drew (newcomer
Diego Boneta), he gets her a job at his place of work – the infamous Bourbon
Room on the Sunset Strip. The two fall hard for each other and share every
ballad known to top the 1980s charts, but alas, love is fleeting, and the
story’s subplots begin to take shape.
As Mayor Mike
Whitmore and manic wife Patricia, Bryan Cranston and Catherine Zeta-Jones are
spot-on casting. CZ-J makes a tremendous welcome back to the big screen (though
she has definitely had some work done) and we get to hear those pipes of hers
we first heard in “Chicago.” Their goal is to “clean up” the Strip, which
inevitably means closing the Bourbon Room.
Alec Baldwin
is one of the actors that was definitely stretching here. Give me Alec in “It’s Complicated” any day over this tired, coarse owner of the Bourbon Room. His trademark
(albeit recent) raunchy humor was nowhere to be found, and he depended on his
scenes with Russell Brand for the laughs. (I still can’t decide if Russell was
wearing a wig, because his hair is always a hot mess even in real life.) The
Bourbon Room is in financial troubles up to their vocal cords, and the
impending threat of closing encourages them to call in the big guns: a
performance from washed up rock god Stacee Jaxx.
I’ve been
reading about Tom Cruise’s performance in this movie for months now. I was
underwhelmed. I don’t associate the word “sexpot” with “Tom Cruise.” Some of
his scenes moved a bit too slow; he paused too long for effect. His scenes with
Malin Akerman were disgustingly sexual, but some of the more comedic in the
film. Akerman’s comedic timing as a reporter for Rolling Stone was outrageously
perfect. No one is sure whether or not Stacee Jaxx will be able to perform like
he did in his prime, but the Bourbon Room is desperate for any sort of
financial salvation.
Photo Credit: Hollywood Reporter, Brian To/FilmMagic/Getty Images
Luckily with
today’s advancements in the studio, all of the actors sang beautifully, and I
wanted to applaud after each number (that’s the musical theatre nerd in me
talking.) The movie gets extra points for throwing in a cameo of #2 on my
hottie list, Constantine Maroulis, because he was featured on the Broadway
tour! (Leo is #1 for those of you keeping track.) “Rock of Ages” is fun for
dates, parents – anyone looking to re-live or sing their way through the 80s.