This is The End

Starring: Seth Rogen, James Franco, Jonah Hill, Jay Baruchel, Craig Robinson, Danny McBride
Director: Evan Goldberg, Seth Rogen
Running Time: 1 hour, 47 minutes
Rating: R

If you’re a fan of the recent stoner comedies – "Pineapple Express," "Superbad" and the like - first of all, you’re in good company (I’m a sucker for them), and secondly, “This is The End” is money. For a girl who is more of a silent laugher than a laugh out louder, there were moments I was hooting and hollering. It was a lively bunch in the theatre, though quite a few were rather young – a Ruff Ryder reference went totally over their heads. Cameos by several favorites (Mindy Kaling, Jason Segel, Michael Cera and Aziz Ansari to name a few) prove that everyone wants to work with the popular boys in the “comedy school.” These guys know how to make a smart, funny movie.

Some of today’s best comedic talent play exaggerated versions of themselves, making fun of how people view them – is James Franco gay? Is Seth Rogen that big of a pothead? Is Craig Robinson really just a teddy bear? The obvious standout with the most hilarious insults is Danny McBride (UNCSA alum), but I’m becoming more and more partial to Jonah Hill, despite the Rolling Stone interview I read that portrayed him as a self-righteous prick.

Jay Baruchel, the actor with the least amount of “celebrity,” is the focal point of the film. Against his will, he goes to a party at Franco’s house, only to wind up getting stuck there with the aforementioned jokers when what appears to be the end of the world occurs. Is it really the apocalypse? Or is it zombies? Seemingly the last few people on Earth, the men divide up the food and drink, and begin waiting for the unknown.

I especially appreciated the hilarious filming of “Pineapple Express 2,” which featured a car crash sequence: alternating shots of Hot Wheels cars crashing down the stairs with close-ups of Franco and Rogen pretending to drive. Clever. Jonah Hill being possessed was something I didn’t find too funny, until I uncovered my eyes and noticed his typical humor amid the possession.

Smart quips, improv that could last for days – including a rather R-rated conversation about ejaculate – this is exactly what we want from these guys, and it's obvious they had a blast doing it. Underneath all the weed, pee and zombie jokes, the underlying message is clear: if you want to be “saved,” don’t be an asshole. A little bit of self-sacrificing here and there for the benefit of others is just the ticket.

Osteria

If Osteria is still around in a year, I look forward to a repeat visit. For now though, decently yummy food with poor organizational structure isn’t going to cut it. They need to find their footing, or they will be in trouble. An off-putting location, Osteria is relatively small, with a stark atmosphere, blank walls and polished concrete floors, so it’s a little loud. Wonderful aromatics and an ample wine selection make a good second impression.

Though we received visits from several different servers, I was impressed with the meticulous delivery of the evening’s specials, from memory. The mentioning of several items being removed from the menu, however, is a bad sign. And the fact that 3 months after opening, the webpage still says “website coming soon,” is also not good.

Questionably homemade rolls are presented with a White Bean Bruschetta. I’m pretty sure the gel that you find in the can of White Beans was the base for this Bruschetta; they just threw in Onions, Tomatoes and Basil. The Panzanella Salad differs slightly from the traditional preparation, and features Capers, Kalamata Olives, Tomatoes, Red Onions and killer grilled Polenta Croutons atop Mixed Greens. The salad is totally large enough to share, but I wouldn’t, so that you can enjoy all of those yummy croutons yourself.

As far as entrees go, we waited about 40 minutes. Famished, we were tempted to dive right in, until we saw the cloud of steam hovering over each dish. Strozzapetti noodles are short, a little thinner than penne, and are lathered with a creamy meat sauce. The sauce was yummy, though the pasta was just too al dente for me. A sprinkling of fresh parmesan added an appreciated and needed salty bite. The half portion is way more than one serving.

Sheets of homemade pasta are stuffed with Prosciutto and Mozzarella, then rolled up and topped with a Béchamel Sauce before it’s baked au gratin. It gets a topping of fresh parmesan before it’s presented, again, insanely hot. I found it similar to lasagna, with Prosciutto and white sauce in place of Ground Beef and Tomato sauce. This dish is very indulgent. A hint of nutmeg is noticeable in the Béchamel (typical), but I just couldn’t help but imagine how quickly it was sticking to my thighs.

I hope they work out the kitchen and staff kinks, because the food has potential. I just don’t like waiting 40 minutes for food that isn’t exceptional, or made by my sweetie.

Five Points

What has a history of being a troubled location – bouncing from Lucky 32 to Big Shotz Tavern to Buena Vista Grille (which went under despite their killer seafood risotto) – Five Points now seems to be right on the money. They are taking meticulous steps to do thoughtfully-prepared and well-executed dishes. The restaurant is named after the famed intersection in Buena Vista, where Stratford and Country Club Roads meet Miller and First Streets, across from Thru-Way Shopping Center, where I spent many an afternoon as a teenager (RIP Borders!)

On Saturdays and Sundays, visit Five Points for their outstanding brunch. A basket of warm, sugary Beignets is presented with Berry Butter. I wanted to eat as many as I could fit in my mouth. Beignets are like donut holes, but less cakey. They are insanely tasty. The Five Point Scramble is a steal for the amount of food you get: A hash of Scrambled Eggs, Duck Fat Potatoes, Bacon, Oyster and Shiitake Mushrooms, Green Onions and Shredded Cheese, alongside Three-Cheese Grits and Fresh Fruit. The Duck Fat Potatoes left me a bit underwhelmed, as I was looking for a richer flavor, but overall the dish is extremely satisfying. Being a cheese grits fan, I enjoyed this preparation, and would surmise the three varieties to be goat, white cheddar and parmesan. The fruit was tossed with a lovely, light mint dressing to cleanse the palate.

The server asked for egg preparation preference for the Eggs Benedict, which is rare. Soft Poached Eggs were chosen, versus Hard Poached. The English Muffin was nicely toasted, not charred, with Canadian Bacon and Hollandaise. Prime Rib and Eggs reminds me of my Spring Break in Vegas – one of the few things I remember from Vegas - I believe the special was $4.99 for steak, eggs, toast and hash browns, and it was actually delicious. Five Point’s variation is a bit more expensive, and includes an 8-ounce Slow Roasted Prime Rib, with Eggs any style and Grits. Hearty.

For lunch, the Grilled Chicken Salad is simple, but as good as they get. It’s a classic “lady” salad: Craisins, Goat Cheese, Dates and Tomatoes are spritzed with a Tangy Champagne Vinaigrette. Delightful.

I will be back to try the Carolina Hash and the White Chocolate Bread Pudding. I’m rooting for this place, as I think many are.

Nico's

In preparation for my impending trip to Italia, I decided it most appropo to meet some friends at Nico’s, an authentic Sicilian restaurant in downtown Greensboro. It’s in a great location – right on the corner of Elm and Friendly. Walls are adorned with abstract art and photographs of beautiful Sicily, and the thoughtful server made suitable suggestions when wine choices and sides were not available. I was most impressed with the quality of ingredients and execution of dishes. They have a good thing going here.

One of my dining companions was a former employee at the restaurant, so upon her arrival, Nico sent over a plate of Bruschetta on their homemade, grilled Focaccia Bread. Topped with Fresh Tomatoes, Onions, Balsamic Vinegar, Microgreens and Parmesan Shreds, this makes for the perfect summer appetizer. Another basket of homemade Focaccia arrived, alongside Olive Oil and Balsamic Vinegar. The bread is outstanding, with just enough of a salty bite. I went against the majority of my "wino" group and chose The Split as my beverage: an aperitif of Aperol and Prosecco with an Orange slice. Refreshing. Reminds me of my time in Germany.

We decided on an entrée as an appetizer - divided into four portions. When in Sicily! Capesante e piselli (roughly, Scallops and Peas) presents perfectly cooked plump Scallops atop a bed of creamy Cracked Risotto, with a Sweet Pea Puree underlying it all. The puree was a nice pop of color, a paint brush stroke, if you will. The salty crust on the scallop is to die for. Crisp Italian Green Beans are a nice crunchy addition.

Linguini al frutti di mare is essentially like eating the sea, in the best way possible. Notably homemade pasta swims alongside large Scallops, Shrimp, Mussels and Clams in a White Wine Sauce, with just a drop of Marinara (per the chef’s recommendation.) The portions are huge! This is spicier than I expected, but really tasty, fresh seafood.

Gnocchi Ricotta doesn’t disintegrate, like some I’ve had in the past. The tender homemade dumplings are nestled in a bed of Cured Tomatoes, Wilted Greens and Mushrooms in a deeply flavorful sauce. Vegetarians and carnivores alike will be pleased. Pollo Canzanese is a winner; the best of the evening. Braised Chicken (the most tender I can remember having) is topped with salty Prosciutto and paired with creamy Sage Polenta, which is like grits but more decadent. Sautéed Broccolini is a tasty side substitute, as they were out of Zucchini. Our gain.

Be prepared to drop some dollars, but it is so worth it. This was the best research I could have done for my trip. Come August, I will tell you all “Ciao!” briefly, but come back with fantastic stories and photos.

The Place Beyond The Pines

Starring: Ryan Gosling, Bradley Cooper, Eva Mendes, Ray Liotta
Director: Derek Cianfrance
Running Time: 2 hours, 20 minutes
Rating: R

"The Place Beyond The Pines" marks the second collaboration between Ryan Gosling and director Derek Cianfrance. Their first was 2010’s “Blue Valentine,” and this a rather remarkable follow-up. Both films are dark and somber, with lengthy, loaded pauses and disorienting handheld camera shots. Cianfrance’s screenplay is much like “Crash,” in that three seemingly separate stories (the first and third being the most interesting to me) come together for a rather ambiguous ending. The shifts between plots and time periods are rather abrupt, but the storyline stays with you long after you leave the theatre.

We first meet Luke, a blue-collar, dirty-handed stunt motorcycle driver, at a county fair. We see him do something I’ve never seen before: he mounted his bike and entered a large, circular metal cage with two other riders, to ride in loops around each other. Terrifying. Ryan Gosling is pretty believable as this character, easy to both hate and sympathize with. Unbeknownst to him, a one-night stand with Romina (Eva Mendes) leaves him with a child. Mendes is gorgeous even when she is made up to look rough. The desire to provide for his “family” leads Luke to rob banks with pal and comedic relief Robin (Ben Mendelsohn). We’re not sure how far this destructive path can go until we, or rather he, meets Avery, a cop. As baby-faced Avery, Bradley Cooper’s clean-shaven face is a nice change, but I’m still Team Gosling.

We shift here, to Avery’s storyline, as he deals with the twisted hierarchy and inner workings of the Schenectady Police Department.  As the typical “crooked gangster” character, Ray Liotta gives Avery a peek into a rather complicated gang world. When Avery chooses to rat them out, he is quickly recognized as the town hero, though he struggles with whether or not he did the right thing. This dragged on a bit too long.

Fast-forwarding 15 years, we meet Luke and Avery’s teenage sons, Jason and AJ. Hats off to Dane DeHaan (a UNCSA alum) and Emory Cohen, who is unrecognizable from his character on “Smash.” The boys meet in school, and the tension between them is frightening. Things bubble over, as AJ bullies and blackmails Jason, until they discover their, or rather their fathers' connection.

Without giving away too much, the ending is rather disturbing. It leaves you with a lot of questions and a sour taste in your mouth. But it is an insightful look into the father and son bond, and how far you'll go for your family.

Fire in the Triad: Battle Ostrich

My eyes were popping out of my head when I learned that the secret ingredient for battle Spring House vs. Noble’s Grille was ostrich. My hopeful speculation that strawberries would be the featured component of the evening could not have been more wrong. I wasn’t really thrilled until the third course, but now I’ve had ostrich prepared more ways than I could have imagined, including alongside a Devil’s Food Cupcake.

Attending Competition Dining's Fire in the Triad is a hugely fun way to spend your evening. Jimmy Crippen is once again the engaging emcee, and the event begins with a “cocktail hour” reception. After being seated, the lights are dimmed and we get a clue as to what the secret ingredient will be. My first bite of ostrich in my 25 years was from Spring House’s Chef Grandinetti: a salad featuring Ostrich Roulade, Asparagus, Beets, Radish, and a Blueberry Gastrique. Roulade is essentially meat wrapped around a filling – in this case, ostrich stuffing. I had trouble with the fact that it was cold, and I didn’t see a lot of continuity with the dish. The beets were the star here, though they could have been a bit more al dente.

Chef Bobby from Noble’s Grille produced a better dish with his Ostrich Tartare (which is RAW, mind you), Fried Egg, Pickled Red Onion, Shaved Fennel, Arugula, Radish and Black Garlic Aioli. This is a classic French preparation, and the richness of the egg yolk enhanced the tartare very well. Again, since the ostrich was cold, I wasn’t entirely satisfied with either of these plates.

As soon as I saw the description for course #3, my eyes were pleased, and I knew my stomach finally would be. In a “gumbo”-like dish, Spring House presented Charred Ostrich atop a Lobster Hash, with Andouille Sausgae, Mushrooms and Bell Pepper Gravy. It was pleasantly spicy, but the ostrich would have been better in chunks, among the rest of the dish. Instead, it seemed like a bit of an afterthought, being placed on top of the stew.

Noble’s clearly won this round. Peppercorn Crusted Ostrich Filet is paired with Toasted Farro, Ostrich Sausage, Charred Patty Pan Salad, Parsnip Chips and Pomegranate Seeds. This Farro was much like a creamy risotto, and the ostrich sausage boasted wonderful notes of sage. The Parsnip Chips were a nice salty crunch, and the tart pops of pomegranate seeds were excellent surprises. The ostrich was cooked a perfect medium rare.

Course #5 didn’t disappoint, featuring a Pan Roasted Ostrich Filet with Curried NC Sweet Potato and Carrot Puree, Slab Bacon, Crispy Potato Strings and Red Wine Reduction. My tablemates and I searched for (and couldn’t find) any bacon, but instead found two dollops of Bleu Cheese. The Potato Strings were a nice crunch, and the puree would be perfect for autumn, though the curry notes were notably missing.

At this point, I was getting tired of such gamey dishes. I was truly hoping Chef Bobby would attempt a dessert, but I wanted it to be GOOD. He must have read my mind, as I was presented with a Devil’s Food Cake topped with a Milk Chocolate Chantilly, with Cast Iron Cocoa Ostrich Carpaccio alongside thin Strawberry slices. A Strawberry Consommé was a nice base, and it was difficult to distinguish between the strawberries and the ostrich, since they have such similar textures. The mint did a nice job disguising the gamey flavor. Not being a chocolate person, this was the best Devil’s Food Cake I’ve ever had, moister than any I can remember, and the Chantilly Cream was a nice replacement to a heavy frosting.

It was pretty clear Noble’s had it in the bag when it was announced who completed each dish. Fire in the Triad runs through June 26, and I’m game (ha) for anyone who wants to go try it out. Tickets are $59, but you definitely get your money’s worth. Fellow adventurous eaters – here’s your chance to play Iron Chef.

The Great Gatsby

Starring: Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, Joel Edgerton
Director: Baz Luhrmann
Running Time: 2 hours, 23 minutes
Rating: PG-13

I had been itching to see this film since it got pushed back from its Winter 2012 release date. The day finally arrived. This is quintessential Baz Luhrmann, for fans of “Moulin Rouge” and “Romeo + Juliet,” like myself, and my friends out there who get weak in the knees for Leo, you will not be disappointed. The 1974 production and Baz's take are quite different, and I prefer Luhrmann’s film. It’s visually stunning with thoughtful casting (for the most part), and the costumes, cars and hairstyles transport you back to the roaring ‘20s.

We spend a lot of time with Tobey Maguire as our trustworthy narrator Nick Carraway. (“Brothers” totally changed my opinion of Maguire – rent it as SOON as you finish reading this if you haven’t seen it.) Nick’s narration takes a new route: we hear the story as a flashback while Nick is in a rehabilitation clinic. And the tale begins.

This is how we want to see Leo – not in "J. Edgar" or "DjangoUnchained" (though he nailed both roles). Sadly, though, this is the second Baz Luhmann film that Leo dies at the end of. I found him more believable as the tortured Gatsby than Robert Redford in the original film. We don’t trust Gatsby, though we are easily mesmerized by him.

Photo courtesy of Cineplex

Carey Mulligan easily transforms into Daisy, and is thankfully not nearly as manic as Mia Farrow’s interpretation of the character. Joel Edgerton plays her brute of a husband, Tom, and is much harder than 1974’s Bruce Dern. I had a problem finding any sympathy for him, even at the end when he begs her to remember a time when she loved him. This is due in part to the fact that Luhrmann omitted a crucial monologue delivered by Tom’s mistress, Myrtle. In the 1974 film, we get a peek into Tom and Myrtle’s illicit affair, and she describes how they met, and how much she cares for him. I missed that here. As Myrtle, Isla Fisher was fine, but didn’t make a huge impact.

My heart melted a few times, once in particular when a little miniature schnauzer popped onscreen. (RIP my little schnauzer, Gretchen Peedwix Clark!) We also don’t see Daisy and Tom’s daughter until the final scene, while she had a bit of a larger role in the original film.

I love Flux Pavillion and the like (a little more than I want to admit), but I didn’t enjoy the hip-hop and dubstep "score" like I was hoping. My movie companion said she enjoyed it more than she was expecting. A tisket, a tasket. The party scenes are SO Baz – the close-ups on the musicians and alternating between fast and slow-motion shots echo “Moulin Rouge” and “R+J.”

The film has fallen victim to mixed reviews, but I loved it because I love Baz, Leo, Tobey and Carey. For those of you who don’t enjoy stylized films and who don’t think a classic book should be translated to the screen (and into a stylized film nonetheless) will have problems with it. Give it a chance though – you won’t get bored. Luhrmann and co. “repeat the past” pretty well here.