Starring: Rashida Jones, Andy
Samberg, Elijah Wood, Will McCormick
Director: Lee Toland Krieger
Running Time: 92 minutes
Rating: R
Director: Lee Toland Krieger
Running Time: 92 minutes
Rating: R
What began as a quirky romantic comedy quickly turned into
“The Rashida Jones Show.” Granted, her beauty and accessibility in the
character of “Celeste” was captivating, and I didn’t find myself getting bored
with the story. “Celeste and Jesse Forever” tells the story of two people
trying to remain friends after getting divorced. The problem lies in the fact
that they’re amazing as friends, but acknowledge that it’s “weird” for them to
still hang out and say “I love you.” Largely autobiographical, Rashida Jones’
co-written screenplay hits close to home for women. Still, there’s enough
oddball humor for guys.
As slacker Jesse, Andy Samberg’s signature humor was present
in the first 30 minutes – I’ll never look at a small tube of Vaseline or a
piece of baby corn the same way again. It’s clear these two have a connection,
though their witty banter clearly outweighed their sexual chemistry. The
audience is totally unaware that the two are divorced until their friends call
them out on being together too much. These friends (Ari Graynor and Eric
Christian Olsen) didn’t provide many laughs, perhaps because the leads are the
comedic stars.
Comedic relief was definitely present in the couple’s friend
Skillz (Will McCormick). With a name like that, you know this dude is a riot. (McCormick
co-wrote the screenplay with Jones, so of course he would make his character
hilarious.) After eyeing the frozen yogurt hottie, Jesse decides she’s an incentive
to get going in the dating world again. Samberg takes on a more serious role
after a huge discovery that further distances the two leads.
Celeste’s boss (played by a creepy Elijah Wood) encourages
her to date as well, though she rejects every qualified candidate she comes
across. It’s obvious she isn’t yet ready for another relationship, so perhaps
she’s just looking for something wrong with these men. Though some of them do
turn out to be pervs.
The audience isn’t sure if Celeste and Jesse belong
together. The plot is very similar to “The Break-Up” – we want them to work it
out, we think, but her constant complaining of his immaturity and her condescending
attitude toward him makes us think twice. The film does a wonderful job of
exploring the dynamic between men and women. It seemed like each time they
tried to end things for good, they’d end up snuggling and making out. Do we want
the most what we have the least? (The answer is “yes.”)
This was an impressive first screenplay for Jones and
McCormick, and a very relatable story for anyone who has tried to “stay
friends” after a breakup.
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