Starring: Saoirse Ronan, Timothee Chalamet, Emma Watson, Laura Dern
Director: Greta Gerwig
Running Time: 2 hours, 14 minutes
Rating: PG
*Some of the things I've alluded to in this review may be construed as spoilers.
Let me begin by stating my adoration of the 1994 film version of "Little Women," and my attachment to Winona Ryder as Jo and Christian Bale as Laurie. I'll also say that if any two actors today could have taken on these iconic roles, it's undoubtedly Saoirse and Timothee. My bar was so high for this film, and while I thought the movie was fine, I did have a few issues. It was too long for starters. But if you're a fan of the story, you'll enjoy this timely rendition of the film. It's a classic for a reason.
If you're new to the story, first of all, welcome to the world, but secondly, you might have trouble keeping up with the plot because of the numerous flashbacks and flash forwards. The primary way Director Greta Gerwig let the audience know if we were in the past or present is by the color of the film. The flashbacks used bright, colorful, rich tones, while present day was more gray and dreary. I would have appreciated more physical appearance changes to differentiate the seven years past. The 1994 film used a different actress to portray Amy, who we meet at age 12, versus age 19, when we follow her through Paris. Florence Pugh, while she does steal the film as Amy, looks exactly the same the entire time.
I also think all this back and forth hurt the audience's opportunity to bond appropriately with the characters. Jo and Laurie's relationship didn't seem nearly as strong as Amy and Laurie's, because we get much more screen time with the latter two. The climactic scene when Jo rejects Laurie did not come across as devastating as it should, because we've already seen a connection between Amy and Laurie in the future. The film also shows Beth getting sick for the first and second times, at the same time, which made that plot line less emotional for me.
Gerwig is definitely in her element here, but what I thought should read as a boisterous family of loving sisters at times comes across as manic. I couldn't keep up with the insane amount of dialogue being thrown at me, but thankfully this pace slowed down. Gerwig also took more time to explore things that I didn't think were totally necessary and that were grazed over in the 1994 film (Meg as a debutante, Beth's bond with neighbor Mr. Laurence) but I did appreciate more time with Aunt March. Meryl Streep can do anything, and while the makeup made her look like a corpse, she brought a realistic humor to the role, encouraging the women to "marry well" since they won't be able to make any money for themselves.
This review is clearly very picky, because it is a story so near and dear to me. Was it necessary to remake this film again, 2 years after BBC released it as a mini-series? Maybe not, but it's as good a time as any. Jo argues that women have minds and souls and should do more than just fall in love and get married, but then breaks down in tears saying she is so incredibly lonely. It's a dilemma faced by many young women today, proving that this is a timeless tale. It's hard not to love this story and these characters, but the 1994 version will always be my favorite.
Saturday, December 28, 2019
Wednesday, December 18, 2019
Marriage Story
Starring: Scarlett Johansson, Adam Driver, Laura Dern, Alan Alda
Director: Noah Baumbach
Running Time: 2 hours, 16 minutes
Rating: R
I have to admit, the first thing I thought of while watching this movie was, "I'm glad I'm not married." My second thought was, "Thankfully, I've dodged a few bullets." You'll view this film with a furrowed brow the entire time, watching two desperately lost people navigate a divorce, while also arguing over custody of their only son. I didn't think Scar Jo and Adam Driver had the best chemistry or were necessarily the right picks for this film. I also thought the movie was a little too "indie for indie's sake". Strong supporting cast members were a welcomed departure from watching the two main characters scream at each other and look miserable. Aside from one super-high stakes scene and some nice moments from Mr. Driver, I wasn't too thrilled by this movie. It was just too stressful. I won't be watching it again, or rooting for it during awards show season.
Charlie and Nicole met doing theatre in NYC, fell in love, got married, had a kid, fell out of love and decided to get a divorce. They initially agree to separate amicably and involve no lawyers. It's apparent that the two still care for each other, her so more than him it seems. You can imagine how contentious things become when Nicole decides to move to LA to be closer to her family, taking their son Henry with her. Charlie just got word that his play is opening on Broadway, but instead spends his time flying back and forth across the country to spend time with his son. On one trip, he gets served divorce papers, throwing a wrench in their plan to do things cordially.
Nicole's powerhouse lawyer Nora (played by Laura Dern) is a no-nonsense gal, determined to get full custody for her client. Charlie's mild-mannered but experienced lawyer (played by the lovely Alan Alda) explains how complicated things will be for them if Charlie chooses to maintain a residence and work in NYC. Charlie's ego gets the best of him, but we question Nicole's motives and whether she has been intentionally vindictive. Blink and you'll miss a few great scenes with the inimitable Ray Liotta.
Oddly choppy dialogue or too-long monologues combined with obvious and in-your-face symbolism was a real turn off for me. But I do think the director did a good job with making you simultaneously sympathize with and despise both of these characters. I've enjoyed these two actors in several other films, but this just didn't click for me. I also think there are better films to come this season, so you might hold off on screening this one.
Director: Noah Baumbach
Running Time: 2 hours, 16 minutes
Rating: R
I have to admit, the first thing I thought of while watching this movie was, "I'm glad I'm not married." My second thought was, "Thankfully, I've dodged a few bullets." You'll view this film with a furrowed brow the entire time, watching two desperately lost people navigate a divorce, while also arguing over custody of their only son. I didn't think Scar Jo and Adam Driver had the best chemistry or were necessarily the right picks for this film. I also thought the movie was a little too "indie for indie's sake". Strong supporting cast members were a welcomed departure from watching the two main characters scream at each other and look miserable. Aside from one super-high stakes scene and some nice moments from Mr. Driver, I wasn't too thrilled by this movie. It was just too stressful. I won't be watching it again, or rooting for it during awards show season.
Charlie and Nicole met doing theatre in NYC, fell in love, got married, had a kid, fell out of love and decided to get a divorce. They initially agree to separate amicably and involve no lawyers. It's apparent that the two still care for each other, her so more than him it seems. You can imagine how contentious things become when Nicole decides to move to LA to be closer to her family, taking their son Henry with her. Charlie just got word that his play is opening on Broadway, but instead spends his time flying back and forth across the country to spend time with his son. On one trip, he gets served divorce papers, throwing a wrench in their plan to do things cordially.
Nicole's powerhouse lawyer Nora (played by Laura Dern) is a no-nonsense gal, determined to get full custody for her client. Charlie's mild-mannered but experienced lawyer (played by the lovely Alan Alda) explains how complicated things will be for them if Charlie chooses to maintain a residence and work in NYC. Charlie's ego gets the best of him, but we question Nicole's motives and whether she has been intentionally vindictive. Blink and you'll miss a few great scenes with the inimitable Ray Liotta.
Oddly choppy dialogue or too-long monologues combined with obvious and in-your-face symbolism was a real turn off for me. But I do think the director did a good job with making you simultaneously sympathize with and despise both of these characters. I've enjoyed these two actors in several other films, but this just didn't click for me. I also think there are better films to come this season, so you might hold off on screening this one.
Monday, December 2, 2019
A Beautiful Day in the Neighborhood
Starring: Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Chris Cooper
Director: Marielle Heller
Running Time: 1 hour, 49 minutes
Rating: PG
Whether or not you grew up watching "Mister Rogers' Neighborhood" on TV, surely you're aware of the magnitude of Fred Rogers' impact on multiple generations and their childhood education and development. He is beloved among Gen Xers and Millennials alike, including their parents and the people who raised them. In "A Beautiful Day in the Neighborhood," America's Sweetheart Tom Hanks stars as the inimitable Fred Rogers and transports the audience to a simpler time. His calming onscreen presence is shockingly accurate, and you're certain to leave the theatre whistling the iconic theme song. The film did fall a little short at times, but overall, just hand Hanks the Oscar and go see this film.
The film begins and we're welcomed into the old, comforting living room as Mr. Rogers changes his sweater and his shoes (my personal favorite part of the show as a child!) Soon we're introduced to our protagonist, Lloyd, and transported to NYC 1998. Matthew Rhys delivers a strong performance as Lloyd, a writer for "Esquire" magazine whose assignment is to profile Mr. Fred Rogers. Lloyd is known for being a tough journalist who many people now refuse to be interviewed by because of his harshness. His wife Andrea (the fabulous Susan Kelechi Watson) begs him not to "ruin her childhood" and encourages him to write up a fluff piece honoring the man that is so cherished and admired. Meanwhile, we get a brief peek into Lloyd's troubled relationship with his distant father, setting up a conflict that inevitably takes the lead for most of the film.
When Lloyd and Mr. Rogers meet, Lloyd is equally frustrated and in awe of this man and his patience, kindness and way with children. Though Lloyd begins the interview, Mr. Rogers slowly turns the questions back to Lloyd, allowing their conversations to become somewhat therapeutic as he explores his feelings about his father. Enter Jerry (played by Chris Cooper) and his attempt to reconnect with his son. I would have liked more of the film's focus to be on Mr. Rogers and his family, as opposed to the Lloyd and dad storyline. I found the majority of those scenes to be dark, dimly lit and a bit slow. More Mr. Rogers please!
Scene transitions take place like they did on the original show, which I thought was very cool. This film was inspired by a true story, but there are countless other people who were affected and impacted by Mr. Rogers. If you've seen the "Won't You Be My Neighbor?" documentary, you'll enjoy this film too. You'll definitely leave inspired and hopefully, encouraged to give more grace to others and to yourself.
Director: Marielle Heller
Running Time: 1 hour, 49 minutes
Rating: PG
Whether or not you grew up watching "Mister Rogers' Neighborhood" on TV, surely you're aware of the magnitude of Fred Rogers' impact on multiple generations and their childhood education and development. He is beloved among Gen Xers and Millennials alike, including their parents and the people who raised them. In "A Beautiful Day in the Neighborhood," America's Sweetheart Tom Hanks stars as the inimitable Fred Rogers and transports the audience to a simpler time. His calming onscreen presence is shockingly accurate, and you're certain to leave the theatre whistling the iconic theme song. The film did fall a little short at times, but overall, just hand Hanks the Oscar and go see this film.
The film begins and we're welcomed into the old, comforting living room as Mr. Rogers changes his sweater and his shoes (my personal favorite part of the show as a child!) Soon we're introduced to our protagonist, Lloyd, and transported to NYC 1998. Matthew Rhys delivers a strong performance as Lloyd, a writer for "Esquire" magazine whose assignment is to profile Mr. Fred Rogers. Lloyd is known for being a tough journalist who many people now refuse to be interviewed by because of his harshness. His wife Andrea (the fabulous Susan Kelechi Watson) begs him not to "ruin her childhood" and encourages him to write up a fluff piece honoring the man that is so cherished and admired. Meanwhile, we get a brief peek into Lloyd's troubled relationship with his distant father, setting up a conflict that inevitably takes the lead for most of the film.
When Lloyd and Mr. Rogers meet, Lloyd is equally frustrated and in awe of this man and his patience, kindness and way with children. Though Lloyd begins the interview, Mr. Rogers slowly turns the questions back to Lloyd, allowing their conversations to become somewhat therapeutic as he explores his feelings about his father. Enter Jerry (played by Chris Cooper) and his attempt to reconnect with his son. I would have liked more of the film's focus to be on Mr. Rogers and his family, as opposed to the Lloyd and dad storyline. I found the majority of those scenes to be dark, dimly lit and a bit slow. More Mr. Rogers please!
Scene transitions take place like they did on the original show, which I thought was very cool. This film was inspired by a true story, but there are countless other people who were affected and impacted by Mr. Rogers. If you've seen the "Won't You Be My Neighbor?" documentary, you'll enjoy this film too. You'll definitely leave inspired and hopefully, encouraged to give more grace to others and to yourself.
Saturday, November 30, 2019
Knives Out
Starring: Daniel Craig, Jamie Lee Curtis, Chris Evans, Toni Collette, Ana de Armas
Director: Rian Johnson
Running Time: 2 hours and 10 minutes
Director: Rian Johnson
Running Time: 2 hours and 10 minutes
Rating: PG-13
I'm usually weary of movies with all-star casts. For some reason, they tend to disappoint (see 2016's "Mother's Day", 2013's "The Big Wedding" or most movie musicals as a point of reference). But "Knives Out" is one of the most clever, entertaining, keep you guessing 'til the end films I've ever seen. All of the stars killed it (pun intended) and while it does run a bit long, they tie up every single loose end. And there were quite a few to tie up. If you're a fan of murder mysteries and dark comedies, you'll enjoy this fun, Clue-esque flick.
We meet the eccentric Thrombey Family as they're mourning the loss of their patriarch, Harlan (played by the always fantastic Christopher Plummer). Everyone is under the impression that Harlan committed suicide, and everyone also assumes their place in his will. It's only until Detective Benoit Blanc (Daniel Craig) arrives that anyone suspects foul play, and threads begin to unravel. I loved Daniel Craig in this role. His slow Southern drawl seemingly began as an annoying farce, but I actually became quite fond of this character and his vernacular.
Each family member is interviewed by Detective Blanc and his sidekicks (one of whom is the lovely LaKeith Stanfield) and each one seems to have something to hide. Daughter Linda (Jamie Lee Curtis), son Walt (Michael Shannon), son-in-law Richard (Don Johnson), daughter-in-law Joni (Toni Collette) and grandson Ransom (Chris Evans) become prime suspects. Detective Blanc enlists Harlan's nurse Marta (a stunning performance delivered by Ana de Armas) to help him piece the puzzle together. She suffers from a condition where lying makes her physically ill, so anytime she's questioned, they have a bowl handy for her.
Just when you think you might have a handle on this who-dunnit, the plot swings a different direction. It moves very quickly once it starts approaching its climax. I appreciated this unique, fresh storyline as well as the film work: tight camera angels and contrasting stark and dim lighting added to the element of mystery and reminds you that everyone is a suspect. I highly recommend this entertaining film. You're sure to appreciate this story and its quirky characters.
Just when you think you might have a handle on this who-dunnit, the plot swings a different direction. It moves very quickly once it starts approaching its climax. I appreciated this unique, fresh storyline as well as the film work: tight camera angels and contrasting stark and dim lighting added to the element of mystery and reminds you that everyone is a suspect. I highly recommend this entertaining film. You're sure to appreciate this story and its quirky characters.
Tuesday, November 19, 2019
An Evening with Carla Hall
It's not often a celebrity chef travels to the Piedmont Triad. Last week, Carla Hall of "Top Chef" and "The Chew" fame did a cooking demonstration as a fundraiser for the Greensboro Public Library Foundation. It was so fun seeing this larger than life (literally - she is 5'11"!) TV personality showcase recipes from her new cookbook, and they were all absolutely delicious dishes. About 80 people turned out for this event, and it was quite an eclectic crowd. Carla married her love of soul food with her appreciation for local and plant-based foods for a fabulous meal. It was fun to be surprised by her inventive flavor combinations. And I want to be her best friend.
Upon our arrival, we were greeted with a glass of bubbly. That's how I'd like to be welcomed into every room, every day. It was paired with a fluffy Buttermilk Biscuit, topped with Deviled Egg Salad. I'm usually not a fan of egg salad, but this had very little mayonnaise and had great herbaceous notes. She actually demo-ed the biscuits, and a diner at my table won them! So we got to try her biscuits fresh out of the oven. They were spectacular, as you'd imagine.
The next course was a Caramelized Leek and Mustard Green Soup, topped with Chow Chow. This was the least attractive dish (hence the lack of photo), but maybe my favorite of the night. It was a shock to my taste buds, this earthy, tangy, satisfying bowl of leeks and greens, and the chow chow brought a nice texture and acidity. This is something I will definitely make again this winter.
![]() |
| The woman herself! |
![]() |
| Deviled Egg Salad on Buttermilk Biscuit |
Our taste buds were then transported to the Caribbean for Chicken Thighs smothered in a Coconut, Lime and Chile sauce. The chicken was cooked perfectly, and while the sauce was spicy, it wasn't overpowering and provided a really lovely heat. My dining partner doesn't enjoy spicy foods but had no problem with this dish. The Hot Water Cornbread that accompanied it was really fun to try. It was thin, crispy, salty and really delectable to dunk in the sauce.
Garlicky Pork Tenderloin with Black-Eyed Pea Vinaigrette was some of the best pork I've ever tasted. It was cooked perfectly, which is difficult to do for multiple plates, and the sour, tangy vinaigrette was something I never would have thought to pair with this meat. The pork sat atop Roasted Cauliflower with Raisins and Millet, which reminded me of quinoa. Even the humble Rainbow Carrot was done justice, roasted and topped with Benne (like Sesame Seeds). I've had all of these ingredients before, but I hadn't enjoyed them like THIS before.
Dessert seemed like it was designed just for me - Poured Caramel Cake. I love a good yellow cake with thick caramel frosting, and I never thought I'd utter the words "too sweet", but it was indeed a shock to the palate after the sourness from the previous dish. The creme fraiche on top really helped cut through the sweetness, but don't get me wrong - I still ate every bite.
I can't wait to repeat some of these recipes and explore more in Carla's new book, Carla Hall's Soul Food: Everyday and Celebration. She even signed it "Hugs and Biscuits". She is quite a talented chef, and I admire her even more now.
![]() |
| Caribbean Chicken Thighs |
![]() |
| Hot Water Cornbread |
![]() |
| Garlicky Pork Tenderloin with Cauliflower, Millet and Rainbow Carrots |
Dessert seemed like it was designed just for me - Poured Caramel Cake. I love a good yellow cake with thick caramel frosting, and I never thought I'd utter the words "too sweet", but it was indeed a shock to the palate after the sourness from the previous dish. The creme fraiche on top really helped cut through the sweetness, but don't get me wrong - I still ate every bite.
![]() |
| Poured Caramel Cake |
Wednesday, November 6, 2019
Sokol Blosser Wine Dinner at Cafe Pasta
This week, I attended the most fabulous wine dinner at Cafe Pasta, hosted by my friend and colleague John Batchelor. John selected some outstanding wines from Sokol Blosser Winery in Oregon, and paired them with some of his personal favorite dishes at neighborhood fave Cafe Pasta. I was very impressed with his pairings and encouraged him to do these dinners every other month! Wine dinners are a great way to meet new friends, try new wines and discover new dishes that you might not have had before. And to top it all off, the wines are available at wholesale price, which can save you some mega bucks. It was a really fun night.
We began with Spinach and Artichoke Dip, paired with the Pinot Gris. I'm not a big white wine fan, but this was insanely easy to sip and was the perfect compliment to the creamy dip, studded with huge artichokes. Toasted, buttery pita chips were the perfect vessel for the dip, which is topped with real parmesan cheese. We were off to a great start.
Chicken Picatta over Linguine was paired with the Evolution White, which was the favorite at my table, though I preferred the Pinot Gris. I was impressed with how perfectly the chicken was cooked - it was moist and really delicious with the citrusy, capery sauce. The pasta was nice and al dente, and I appreciated the fresh spinach as a garnish, but also to bring some color to the dish. The more I ate the chicken, the more I appreciated the wine.
One of John's usual go-to's at Cafe Pasta is the Almond-Crusted Salmon, and now I see why. It was so tender and not overcooked, and I don't know how the chef possibly managed a perfect cook for 50+ people! That is talent. The garlicky, almond crust was really tasty, and roasted vegetables like asparagus, peppers, squash and broccoli rounded out the plate. It was paired with the show-stopping Pinot Noir, the flagship wine for Sokol Blosser. It is one of the best Pinots I've ever had, because it's not too light and stands up nicely to the fish. This was my favorite pairing of the night!
To finish things off, we enjoyed "Mom's Cheesecake", which is not your typical NY style cheesecake. This layered a thin ricotta cheesecake atop a light pound cake / angel food - type cake. It was so delicate, not too sweet, and the perfect ending for a big meal. Sliced strawberries and whipped cream accompanied this dessert, and we enjoyed the Evolution Sparkling with this dish. Again, I didn't die for the Evolution like everyone else did, and this was the sparkling version of that, but give me any sort of bubble and I'm a happy girl.
I'll be on the lookout for more of JB's wine dinners, and I'll definitely be returning to Cafe Pasta to get some of these tasty dishes and try new ones, too!
We began with Spinach and Artichoke Dip, paired with the Pinot Gris. I'm not a big white wine fan, but this was insanely easy to sip and was the perfect compliment to the creamy dip, studded with huge artichokes. Toasted, buttery pita chips were the perfect vessel for the dip, which is topped with real parmesan cheese. We were off to a great start.
Chicken Picatta over Linguine was paired with the Evolution White, which was the favorite at my table, though I preferred the Pinot Gris. I was impressed with how perfectly the chicken was cooked - it was moist and really delicious with the citrusy, capery sauce. The pasta was nice and al dente, and I appreciated the fresh spinach as a garnish, but also to bring some color to the dish. The more I ate the chicken, the more I appreciated the wine.
One of John's usual go-to's at Cafe Pasta is the Almond-Crusted Salmon, and now I see why. It was so tender and not overcooked, and I don't know how the chef possibly managed a perfect cook for 50+ people! That is talent. The garlicky, almond crust was really tasty, and roasted vegetables like asparagus, peppers, squash and broccoli rounded out the plate. It was paired with the show-stopping Pinot Noir, the flagship wine for Sokol Blosser. It is one of the best Pinots I've ever had, because it's not too light and stands up nicely to the fish. This was my favorite pairing of the night!
To finish things off, we enjoyed "Mom's Cheesecake", which is not your typical NY style cheesecake. This layered a thin ricotta cheesecake atop a light pound cake / angel food - type cake. It was so delicate, not too sweet, and the perfect ending for a big meal. Sliced strawberries and whipped cream accompanied this dessert, and we enjoyed the Evolution Sparkling with this dish. Again, I didn't die for the Evolution like everyone else did, and this was the sparkling version of that, but give me any sort of bubble and I'm a happy girl.
I'll be on the lookout for more of JB's wine dinners, and I'll definitely be returning to Cafe Pasta to get some of these tasty dishes and try new ones, too!
Thursday, October 24, 2019
Joker
Starring: Joaquin Phoenix, Robert De Niro, Frances Conroy, Zazie Beetz
Director: Todd Phillips
Running Time: 2 hours, 2 minutes
Rating: R
I love the Joker character just as much as the next person. I'm just as fascinated with Heath Ledger's portrayal and was just as hyped to see Joaquin Phoenix's interpretation, like everyone else. And I certainly love Joaquin Phoenix, just like every other cinephile. However, I unfortunately found "Joker" to be just a little short of my extremely high bar. I think Joaquin did a fabulous job embodying this disturbed character, but was this his best work? Not in my opinion. The actors (and there are a lot of great ones in this film) did the best with the material they were given, but was it incredibly strong material? Not really. I think we will always be excited to indulge in another Batman film, especially one that tells the villain's tale, and I look forward to the next one, but for now, I think you can safely pass on "Joker".
Arthur Fleck is a mentally ill aspiring comedian who lives with his mother (Frances Conroy) in Gotham City. It's pitiful - he's the butt of jokes, gets bullied and beat up by kids younger than him, but he tries to be a good son and take care of his mother. He suffers from a real-life condition where he uncontrollably laughs, seemingly at the most inopportune times. It's easy to empathize with him in the beginning. One afternoon, he has an interaction with neighbor Sophie (Zazie Beetz) that seems to send him on a spiral. He obsesses about their brief encounter, writes jokes based off of it, and even follows her. We hope their odd friendship might be good for him, but ultimately, the darkness in Arthur takes center stage.
I loved seeing Bobby De Niro as late night talk show host/comedian Murray Franklin - where has this man been?! He is delightful in this role, and Arthur both idolizes and envies him. I can't overlook the brief moment we have with Brian Tyree Henry (of "Atlanta" fame) and I would have loved more screen time with him, as always.
The film makes references to the Bruce Wayne family, and it does leave open the possibility of a sequel, or at least more stories to follow. I think one of the main issues I had with the film was the pacing. It was a bit slow and I wish the movie would have just gotten on with things already. I think the best/worst moment was when a group of corporate "thugs" started singing "Send in the Clowns" from "A Little Night Music" to Arthur on the subway. I almost burst out laughing. The ending is pretty uncomfortable (when it finally gets here), but honestly, I was just glad for it to be over.
Director: Todd Phillips
Running Time: 2 hours, 2 minutes
Rating: R
I love the Joker character just as much as the next person. I'm just as fascinated with Heath Ledger's portrayal and was just as hyped to see Joaquin Phoenix's interpretation, like everyone else. And I certainly love Joaquin Phoenix, just like every other cinephile. However, I unfortunately found "Joker" to be just a little short of my extremely high bar. I think Joaquin did a fabulous job embodying this disturbed character, but was this his best work? Not in my opinion. The actors (and there are a lot of great ones in this film) did the best with the material they were given, but was it incredibly strong material? Not really. I think we will always be excited to indulge in another Batman film, especially one that tells the villain's tale, and I look forward to the next one, but for now, I think you can safely pass on "Joker".
Arthur Fleck is a mentally ill aspiring comedian who lives with his mother (Frances Conroy) in Gotham City. It's pitiful - he's the butt of jokes, gets bullied and beat up by kids younger than him, but he tries to be a good son and take care of his mother. He suffers from a real-life condition where he uncontrollably laughs, seemingly at the most inopportune times. It's easy to empathize with him in the beginning. One afternoon, he has an interaction with neighbor Sophie (Zazie Beetz) that seems to send him on a spiral. He obsesses about their brief encounter, writes jokes based off of it, and even follows her. We hope their odd friendship might be good for him, but ultimately, the darkness in Arthur takes center stage.
I loved seeing Bobby De Niro as late night talk show host/comedian Murray Franklin - where has this man been?! He is delightful in this role, and Arthur both idolizes and envies him. I can't overlook the brief moment we have with Brian Tyree Henry (of "Atlanta" fame) and I would have loved more screen time with him, as always.
The film makes references to the Bruce Wayne family, and it does leave open the possibility of a sequel, or at least more stories to follow. I think one of the main issues I had with the film was the pacing. It was a bit slow and I wish the movie would have just gotten on with things already. I think the best/worst moment was when a group of corporate "thugs" started singing "Send in the Clowns" from "A Little Night Music" to Arthur on the subway. I almost burst out laughing. The ending is pretty uncomfortable (when it finally gets here), but honestly, I was just glad for it to be over.
Saturday, October 12, 2019
Hustlers
Starring: Jennifer Lopez, Constance Wu, Julia Stiles, Lili Reinhart
Director: Lorene Scafaria
Running Time: 1 hour, 50 minutes
Rating: R
If this movie doesn't make you want to go to the gym, nothing will. This star-studded cast are all at their best - both acting-wise and physically - and the fact that this film is based off a true story makes it all the more compelling. The movie does take some liberties and slightly exaggerates the real life account, but still, I don't know how I didn't hear about this in the news! I was on the fence about watching this film, a story about women exploiting their sexuality for money, but they sure try to convince themselves and the audience that it's alright. The directors and screenwriters are also women, which gave me more confidence that they would handle the subject matter appropriately. These women clearly broke the law, but it's an incredibly entertaining film, and you won't be able to look away.
We meet our protagonist, Destiny (Constance Wu), in 2007. She's an amateur dancer, trying to make some extra cash to help her grandmother. She's doing alright for herself, until she sees Queen Bee Ramona (J. Lo) and the crazy amount of cash she is able to earn. Destiny convinces Ramona to mentor her, and she begins tutoring her in all things strip club. The scene where Ramona teaches Destiny how to pole dance features a classical music underscoring, reminding us there is an art to this type of movement. Fast forward to the recession of 2008, when things slow down significantly - clients vacate the clubs, people stop spending money - and the ladies find themselves down on their luck. Until one day, Ramona hatches up a new plan. It's illegal, but it's effective.
This film is an interesting game of - who's really the bad guy here? Should we root for these ladies who are criminals, drugging and robbing men? Or the sleazy men who frequent the clubs and demand sexual favors? Then one day, the women decide they've had enough of the creeps and start picking up seemingly innocent men at bars, drugging them and leading them to the club where they run up their credit cards. It's not a spoiler to say that's ultimately how the ladies' empire collapses.
The fact that J. Lo is 50 years old is freaking insane. Her hair should win an Oscar for Best Supporting Actress. It also makes sense that this film was produced by Adam McKay and Will Ferrell, who had their hands in "The Big Short", because the narration and style reminded me of that film. My girl Lili Reinhart does her best with the role she's given, and Keke Palmer provides some comedic relief. The soundtrack is killer and so is the hair/make-up and costuming. The chemistry among these women is palpable. You really buy into this sisterhood they've created.
You'll leave this film feeling pretty unsettled and out of shape, but these women did a fantastic job telling this unbelievable story. It will really make you question just how far people will go to survive.
Director: Lorene Scafaria
Running Time: 1 hour, 50 minutes
Rating: R
If this movie doesn't make you want to go to the gym, nothing will. This star-studded cast are all at their best - both acting-wise and physically - and the fact that this film is based off a true story makes it all the more compelling. The movie does take some liberties and slightly exaggerates the real life account, but still, I don't know how I didn't hear about this in the news! I was on the fence about watching this film, a story about women exploiting their sexuality for money, but they sure try to convince themselves and the audience that it's alright. The directors and screenwriters are also women, which gave me more confidence that they would handle the subject matter appropriately. These women clearly broke the law, but it's an incredibly entertaining film, and you won't be able to look away.
We meet our protagonist, Destiny (Constance Wu), in 2007. She's an amateur dancer, trying to make some extra cash to help her grandmother. She's doing alright for herself, until she sees Queen Bee Ramona (J. Lo) and the crazy amount of cash she is able to earn. Destiny convinces Ramona to mentor her, and she begins tutoring her in all things strip club. The scene where Ramona teaches Destiny how to pole dance features a classical music underscoring, reminding us there is an art to this type of movement. Fast forward to the recession of 2008, when things slow down significantly - clients vacate the clubs, people stop spending money - and the ladies find themselves down on their luck. Until one day, Ramona hatches up a new plan. It's illegal, but it's effective.
This film is an interesting game of - who's really the bad guy here? Should we root for these ladies who are criminals, drugging and robbing men? Or the sleazy men who frequent the clubs and demand sexual favors? Then one day, the women decide they've had enough of the creeps and start picking up seemingly innocent men at bars, drugging them and leading them to the club where they run up their credit cards. It's not a spoiler to say that's ultimately how the ladies' empire collapses.
The fact that J. Lo is 50 years old is freaking insane. Her hair should win an Oscar for Best Supporting Actress. It also makes sense that this film was produced by Adam McKay and Will Ferrell, who had their hands in "The Big Short", because the narration and style reminded me of that film. My girl Lili Reinhart does her best with the role she's given, and Keke Palmer provides some comedic relief. The soundtrack is killer and so is the hair/make-up and costuming. The chemistry among these women is palpable. You really buy into this sisterhood they've created.
You'll leave this film feeling pretty unsettled and out of shape, but these women did a fantastic job telling this unbelievable story. It will really make you question just how far people will go to survive.
Thursday, October 3, 2019
The Katharine Brasserie
I previously wrote about The Katharine Brasserie in Winston-Salem when it opened back in 2016. It was a fine experience, but did not compare to the outstanding meal I had here last month when I celebrated my birthday. I was so impressed and blown away by the menu, execution, service and attention to detail. Last week, I was thrilled to get a sneak peek of Chef Adam Barnett's new fall menu, which will debut the week of October 7th. We had 7 courses and everything was exceptional - I do not use that word lightly. The Katharine has done a 180 since my visit 3 years ago, and the hard work this team is doing has really paid off.
You'll want to arrive early to have a cocktail in their beautiful bar area that boasts natural light. They make a killer Martini and French 75, but I was partial to The Felicity, a Vodka cocktail with Domaine de Canton (ginger liqueur), Elderflower Liqueur, Lime Juice and Basil. It was so easy to drink and very refreshing. I actually continued sipping it with our first course, Apple and Roquefort Salad, which reminded me of a sophisticated spin on the classic Waldorf Salad. Bitter ingredients like Arugula, Frisée and Celery are married with sweet Apples, savory Walnuts and beautifully creamy Roquefort Cheese for a bit of umami. This is a thoughtfully composed salad, where every ingredient shines. It's dressed with a white balsamic vinaigrette for a nice tang of acid.
It's finally starting to feel like fall, and the Butternut Squash Bisque screams autumn. It's a lovely orange hue and features Coconut Milk(!) which makes it super velvety and luscious. The heat level from the Harissa is perfect - it just warms the back of your throat - and it mingles with the coconut milk nicely. Chef finishes the soup with a drizzle of Crème Fraîche to cool things down.
The Katharine's wine game is strong. Throughout the evening, Erin Doby (General Manager and Sommelier) offered wine pairings from California and France. Erin knows what she is doing. If you have any questions about what to pair with your meal, she's got you covered. The Landmark Chardonnay from Sonoma paired nicely with these first two courses.
One of my favorite dishes of the night was the Ricotta Gnocchi - the moment it arrived at the table, I began salivating from the fragrance. Meaty Hen of the Woods Mushrooms, roasted Butternut Squash, tender Duck Confit and Arugula are tossed together in a fabulous Sage Brown Butter sauce. I wanted to bottle this sauce up and wear it as an Eau de Parfum. It was so freaking delicious. The gnocchi was tender yet hearty, and every ingredient maintained its integrity in this dish. Really satisfying.
While The Katharine is definitely able to satisfy my inner glutton, don't worry - if you're vegan, they've got you. I was really impressed with the Cauliflower "Couscous". The sweet and tangy Tomato Sauce is thickened with Cauliflower (not cheese!) and spiced with Harissa. I would never know this dish didn't have Parmesan. Haricot Verts cooked al dente and Almonds provide a nice crunch, and while I wasn't expecting it to be, this dish was every bit as satisfying as the previous. I also was shocked to discover that a Pinot Noir and Cab Franc Rosé was hearty enough to stand up to both of these dishes! I'm telling you, the Som knows her stuff.
Chef Barnett sautées some of the finest Salmon I've ever had. Every rendition I've had at The Katherine has been sensational, but this might be my favorite so far. The Salmon is thick and cooked perfectly with a deliciously crispy crust. It rests on a Leek and Celery Root purée with Potatoes and a Crème Fraîche Mustard Beurre Blanc sauce. The pop from the mustard seeds gives nice acid and texture, and the award for best supporting ingredient goes to that fabulous leek and celery root puree. It's nice and bitter and cuts through the richness of the fish and the sauce. I would eat this every day for the rest of my life. I was also obsessing over the Santenay Terre d'Enfrance Burgundy wine that was paired with this!
I was so excited when a beautiful, thick, cooked to perfection Coriander Crusted Duck Breast was placed in front of me. For carnivores, this was the star of the show, and such a nice change from your typical steak. The coriander crust provided a nice slight crunch and flavor burst, and is a nod to the old-school Duck à l'orange, but with a highly modernized spin. It sat atop tender Cabbage, Potatoes and Shiitake Mushrooms, and finished with a lovely Orange-Coriander sauce.
The grand finale was the Crème Brûlée. Now let me tell you: I have had Crème Brûlée before, many, many times. But not like this. I swear there was something special in the custard, but Chef assured me it was just high-quality ingredients and proper technique. The crazy strong vanilla flavor in that creamy custard, topped with that crackling burnt sugar - it was out of this world. We even got two Brown Sugar Sablé Cookies to go along with it! I couldn't stop eating it. It was irresistible.
The thought and care that went into devising this menu and preparing the food is evident. 7 courses and 0 complaints. Chef Barnett has some rock star sous chefs who were able to take his vision and execute it perfectly. If you haven't been to The Katharine (or if you haven't been since it opened), it is so worth a trip. I'll be back in 2 weeks to celebrate my mom's birthday - it's that fantastic. Run, don't walk, to check this place out.
You'll want to arrive early to have a cocktail in their beautiful bar area that boasts natural light. They make a killer Martini and French 75, but I was partial to The Felicity, a Vodka cocktail with Domaine de Canton (ginger liqueur), Elderflower Liqueur, Lime Juice and Basil. It was so easy to drink and very refreshing. I actually continued sipping it with our first course, Apple and Roquefort Salad, which reminded me of a sophisticated spin on the classic Waldorf Salad. Bitter ingredients like Arugula, Frisée and Celery are married with sweet Apples, savory Walnuts and beautifully creamy Roquefort Cheese for a bit of umami. This is a thoughtfully composed salad, where every ingredient shines. It's dressed with a white balsamic vinaigrette for a nice tang of acid.
![]() |
| The Felicity |
![]() |
| Apple and Roquefort Salad |
![]() |
| Butternut Squash Bisque |
One of my favorite dishes of the night was the Ricotta Gnocchi - the moment it arrived at the table, I began salivating from the fragrance. Meaty Hen of the Woods Mushrooms, roasted Butternut Squash, tender Duck Confit and Arugula are tossed together in a fabulous Sage Brown Butter sauce. I wanted to bottle this sauce up and wear it as an Eau de Parfum. It was so freaking delicious. The gnocchi was tender yet hearty, and every ingredient maintained its integrity in this dish. Really satisfying.
![]() |
| Ricotta Gnocchi |
![]() |
| Cauliflower "Couscous" |
![]() |
| Sauteed Salmon with Mustard Beurre Blanc |
![]() |
| Coriander Crusted Duck Breast |
![]() |
| Creme Brulee |
Tuesday, September 17, 2019
Taco Mama
I've found my new favorite neighborhood restaurant. It also happens to be my new favorite Mexican place, and it has the best margarita in town. Taco Mama has 18 locations across the Southeast, but the inventive dishes, high quality of food and courteous staff has me thinking this is anything but a "chain". If you haven't been yet, prepare to get addicted.
Upon walking in, you're greeted with a smile and a menu. The staff asks if this is your first time, and if it is, they're eager to help. They suggest favorites and walk you through the ordering process. You can also check out the colorful chalkboard above the counter, to go along with the colorful lights strung about the restaurant. On nice days, they raise up the front walls to make it a screened-in porch.
Taco Mama boasts 10 flavors of margs (the Skinny is to die for) and the Prosecco Fizz is a really nice alternative because the bubbles cut the sweetness. If you're lucky enough to go in the summer when the Watermelon variety is available, it's irresistible. Insider tip - certain varieties are half off on Tuesdays. And in case you're wondering, a pitcher pours 6 healthy-sized margs. They also offer wine and beer if that's more your jam.
At Taco Mama, customization is the name of the game. You could select one of their suggested dishes, or you can build your own, which is what I like to do. You start by picking your base - Quesadillas, Tacos (flour, corn or hard shell), Nachos, Burritos or Burrito Bowls. Then you choose from a wide selection of proteins - Barbacoa, Grilled Shrimp, Ahi Tuna and Chorizo to name just a few. My favorite is the Shrimp - it's always perfectly tender and seasoned well. The endless toppings are where I tend to go a little crazy. You can have your choice of Chorizo Refried Beans, Grilled Jalapenos, Ancho Chile Slaw, Guacamole, Cilantro, Queso Fresco - the list goes on and on and it's hard not to ask for a little of everything! Inventive and flavorful sauces include Red-Chile Butter Sauce and Roasted Poblano Tartar.
All entrees (with the exception of the Burrito Bowl) come with Chips and Salsa, but the Tacos and Burritos also come with another side - seriously, this is the best deal in town. The chips are thin, crispy and salty, and the salsa has incredible flavor and not too much heat. As far as sides go, I love the Black Beans and the creamy Mexican Mac and Cheese.
At Taco Mama, you can really have it your way. You can have it any way you want! The combinations are endless. I am always so impressed with how delicious everything is and how kind the staff is. That definitely keeps me coming back. And the margs. I really can't get over the margs.
Upon walking in, you're greeted with a smile and a menu. The staff asks if this is your first time, and if it is, they're eager to help. They suggest favorites and walk you through the ordering process. You can also check out the colorful chalkboard above the counter, to go along with the colorful lights strung about the restaurant. On nice days, they raise up the front walls to make it a screened-in porch.
Taco Mama boasts 10 flavors of margs (the Skinny is to die for) and the Prosecco Fizz is a really nice alternative because the bubbles cut the sweetness. If you're lucky enough to go in the summer when the Watermelon variety is available, it's irresistible. Insider tip - certain varieties are half off on Tuesdays. And in case you're wondering, a pitcher pours 6 healthy-sized margs. They also offer wine and beer if that's more your jam.
![]() |
| Watermelon Marg! |
![]() |
| I love the shrimp tacos. So much food! |
![]() |
| Shrimp Burrito Bowl! |
At Taco Mama, you can really have it your way. You can have it any way you want! The combinations are endless. I am always so impressed with how delicious everything is and how kind the staff is. That definitely keeps me coming back. And the margs. I really can't get over the margs.
Subscribe to:
Posts (Atom)

















